"Playfully Serious" | Kerra Taylor Jonathan Ferrara Gallery

K E R R A   T A Y L O R

Playfully Serious

29 May – 15 May 2019

PRESS RELEASE
 

29 May 2019 (New Orleans, LA) JONATHAN FERRARA GALLERY is pleased to announce the first solo exhibition of Springfield, MO—based artist, Kerra Taylor, entitled Playfully Serious. As the Grand Prize Winner of the 2018 NO DEAD ARTISTS Juried Exhibition, Kerra Taylor presents six new and four recent paintings. The works will show a variety of her narratives with her family and of her self-portraits. The exhibition will be on view from 29 May through 15 July 2019 with an opening reception coinciding with the Arts District of New Orleans’ (ADNO) First Saturday Gallery Openings on Saturday 1 June 2019, from 6-9 pm. 

The artist discusses her new and previous paintings…

I am currently working on two bodies of work that depict figurative narratives with my family and of self-portraits. I primarily paint in oils on canvas and wood panel. Painting for me is very meditative. I am intrigued by how one can manipulate a medium and light to create the illusion of space.

In my larger series, I playfully fabricate memories with my spouse, parents, siblings, and in-laws, as I fill in the holes caused by the loss of stories. I take into consideration the various personalities, quirks, and typical environments that my relatives and I live in. My paintings are embellishments of personal experiences with family. By putting them in these normal settings with such unusual circumstances, I create my own stories, both familiar and fantastic at the same time. It is in these extraordinary situations that we find the stories that are more worth telling. For every person, for every story, their interpretation of the scene will be unique. In this manner, I allow room for the viewer to enter into my paintings and complete the stories with their own past experiences.

I create these paintings by first taking photos of my family and then editing the photos in Photoshop. I often add in props and change the backgrounds in the original photos and then I paint from the photos. Sometimes the paintings evolve further from the photographs. 

However, my smaller, self-portrait paintings with the skeleton, are more intimate and serious. I am interested in exploring the human condition. I am more interested in the soul and our anatomical complexity. When you strip away the flesh, we are but skeletons. Without the soul, we do not exist but are mere scientific remnants of ourselves. I feel that these paintings are very personal and raw. For me, not only have I feared death and growing old, but I have carried around depression on my shoulders for years. I feel many viewers can relate to this feeling. 

In the title, "Playfully Serious", I feel that the narrative paintings of my family are just that, playful. Because they are fabricated memories, there isn't much truth to really knowing someone let alone having an authentic memory of that person. Just like, in the skeleton paintings, do most of my family members really know that I suffer from depression? The façade continues.